Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb天殿就是天源大陆之上的一个可怕的杀手组织传闻天殿的殿主已经达到了元尊巅峰之境距离源神境也只有一步之遥了，但是他们却是敢对我动手，更是将我关押在了这该死的地方一困便是五百年。听到这话的风羽愣了一下，他自然知道那源尊境代表了什么，源神境虽说是这世界上最强大的存在但是进入了源神境的存在一般都是进入了神域源尊境界的存在那绝对是这个世界上最强大的存在了。
片名：狂野街头
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狂野街头毫无疑问是今年最现象级的电影之一，先导预告一经放出，网络上铺天盖地的谩骂便完全淹没了提前宣发造势的“喜气”。
内地观众们经过一次又一次地被诈骗、被捉弄、被消费，已经完全学聪明了。同时YY短剧提供电影狂野街头全集高清未删减完整版在线观看,狂野街头手机免费观看,YY短剧从互联网自动收集了精彩电视剧《狂野街头》片源供广大影视爱好者分享，请大家支持正版电视剧。，想看更多的相关影视作品，请收藏我们的网站：http://hbllyy.com
电影类别:恐怖片
制片地区： 美国
导演： Barry,Shear
编剧： Barry,Shear
主演： 谢利·温特斯,克里斯托弗·琼斯,黛安·瓦西,米莉·佩金斯
但又为什么有如此多人支持这种混账逻辑呢，这不得不聊到狂野街头这部电影所诞生的今时今日的社会逻辑，已经所认识到的相去甚远了。
首先，狂野街头小人物的发声已经不止局限于依赖文艺作品，“实名举报”、“我控诉”、“我呼告”类型的由发声者自己录制的短视频已经成为当下社会最核心的新闻内容构成。
狂野街头这样更具象、更真实、更血淋淋的亲口表述，无论是带来的冲击力、影响力都远大于虚构作品。而且，仅就我个人冲浪经历来讲，我的B站短视频板块，刷10个视频有11个都是这种类型的，所以B站的短视频从来不曾带给我什么多巴胺分泌，反而常常是焦焦在脑内刮起的无数阵橘色风暴。
