罗云浩等人挟持着许毅和汪宁朝医院后方的一个小巷子里走去。 期间许毅多次示意汪凝跑路,可这小妮子却没有反应。 她只是揪住许毅的衣角,身体不自觉地发抖。 许毅嘴唇微动,做着口型给汪凝传播信息。Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
片名:米兰九口径
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米兰九口径毫无疑问是今年最现象级的电影之一,先导预告一经放出,网络上铺天盖地的谩骂便完全淹没了提前宣发造势的“喜气”。
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电影类别:动作片
制片地区: 其它
导演: 费尔南多·迪·莱沃
编剧: 费尔南多·迪·莱沃
主演: 加斯通·莫辛,芭芭拉·布薛特,马里奥·阿多夫
但又为什么有如此多人支持这种混账逻辑呢,这不得不聊到米兰九口径这部电影所诞生的今时今日的社会逻辑,已经所认识到的相去甚远了。
首先,米兰九口径小人物的发声已经不止局限于依赖文艺作品,“实名举报”、“我控诉”、“我呼告”类型的由发声者自己录制的短视频已经成为当下社会最核心的新闻内容构成。
米兰九口径这样更具象、更真实、更血淋淋的亲口表述,无论是带来的冲击力、影响力都远大于虚构作品。而且,仅就我个人冲浪经历来讲,我的B站短视频板块,刷10个视频有11个都是这种类型的,所以B站的短视频从来不曾带给我什么多巴胺分泌,反而常常是焦焦在脑内刮起的无数阵橘色风暴。